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Category: Teaching and Learning

The Joys of Journal Searching in the MLA International Bibliography.

This morning’s class was one of those typical classes: Teach these students how to find journal articles in the MLA International Bibliography, please. Nothing very remarkable in that. But for some reason, today’s class went remarkably well. It was one of those classes where you leave feeling all glowy and like you’d actually made a real difference. And you know what I discovered? Of all things, I love teaching the MLA International Bibliography and citation best.

The MLA-IB is such a difficult-to-use database, and yet it’s the bedrock of almost all of the research done in language and literature (the disciplines that I serve). So to have finally figured out how to unlock it for my students has been such a huge relief! It took me more than two years of working with it and with my students to figure out how to tease information out of it and how to explain that process to students, but I think I’ve finally gotten to the point where I can say with confidence that I’m covering the important concepts and significantly changing my students’ searching capabilities in the process. I’ll even go so far as to say that I can usually pull this off in an interesting way… which is probably the glowy feeling talking, but I’ll go with it.

I can’t even describe how happy this makes me. I’ve struggled for a while to figure out what unique skills I bring to the amazing group I work with, and I think at long last I can say with confidence that there ARE search skills and strategies that are unique to my disciplines and that I now have some expertise in deploying.

I’ve also discovered another secret weapon, The Subversive Handout, which I’ll write about later. (How’s that for a librarian cliff-hanger?) ;-)

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Wishing to Track Students Better

I really wish there were an easy way to keep track of which students I’d taught in classroom situations, and what I’d taught them. With a population of just under 2000, it’s entirely possible that I’ll start seeing some of them over and over now that I’m getting invited to meet with more classes.

Now, I very rarely teach the same library session twice simply because each session is (hopefully) tailored to the needs of a specific assignment or set of assignments, and even if the same assignment comes up in future years there’s usually a new resource or something that keeps me on my toes. But there are a couple of components of these sessions that I find myself teaching over and over again in different contexts: the MLA International Bibliography, for example, or getting your hands on the actual text of an article, or the disciplinary importance and conventions of citation. Wouldn’t it be nice if I had some way of knowing if most of the students in an upcoming class had already practiced with one or more of these components and would want me to approach them in new and interesting ways? Even if I still had to cover the MLA IB because they needed something new or because a few of the students hadn’t worked with it before, wouldn’t it be nice if I knew to change things up enough that it would keep the interest of the veterans while still feeding the newbies what they needed?

I keep notes about this kind of thing for my individual appointments, and it really helps when this year’s seniors come to me for help with their senior theses and I can look back over the sessions I’ve had with them in past years to figure out what they might be expected to know already, and where I can push them to grow a little more in their research prowess.

Alas, I just can’t think of a good way to keep on top of this for the classroom situations, though. I mean, I could create a database that allowed me to describe the components of a class and link that class to all it’s enrolled students. Filtering by class could help me see what I’d included for that course number over the years. Filtering by student would show me if I’d seen individuals more than once, and what they’d supposedly learned from me. But honestly, I don’t think I’d be able to keep up with it.

Has anyone else done anything like this? How?

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I Hate Plagiarism

I don’t hate plagiarism because it’s “stealing” or “cheating” or any of that. Sure it’s ethically incorrect, but everybody knows that. I don’t condone it, certainly, but that in itself isn’t enough to make me ponder in the early morning.

Don’t get me wrong. I’ve seen plagiarism in action at the lowest levels of education, and at the highest levels of scholarship. I’ve seen it’s consequences, and I’ve the way it eats up the lives and risks the careers of those who think it’s important to expose a high-profile plagiarist. I’ve seen this stuff up close and personal, and it’s not pretty. Heartbreaking, terrifying, sad, disappointing… but not ponder-worthy, generally.

No, what makes me ponder is the way plagiarism has insinuated itself into undergraduate education in what I think are unhealthy (and sometimes flat out improper) ways. Sure, it’s important that undergraduates learn the ethics of scholarly communication. But it is not necessary to have plagiarism be the bully whip behind other problems of scholarly communication.

Take, for instance, citation. Students are told to cite their sources so that they don’t plagiarize. What does this do? Well, it doesn’t deter the plagiarists. No, instead it sends a steady stream of freaked out kids to my office right about finals time, each of whom is trying to figure out when to cite and when not to as much as they’re trying to figure out where the quotation marks and italics go in MLA style. It’s often not very clear when a particular statement needs a citation, and the poor students are terrified that they’ll miss-step and inadvertently plagiarize.

And really, however heretical it sounds, I don’t think that citation and plagiarism are inherently linked in the one-to-one relationship that most first-year writing courses seem to teach. Failure to cite a direct quote or a paraphrase constitutes plagiarism. But the act of citation itself should be much more a context-building act than an act of punishment avoidance. So when these students land on my doorstep, the only thing that seems to make sense (barring having us both read through the paper and discuss every sentence) is to explain that citation allows your readers to situate themselves in your context. You cite to give credit, but you also cite to allow your readers to find further information. So if you state a “fact” (one of those nebulous things that don’t need citing but that nobody can explain because lots of “facts” need citations, too) and you think your readers might benefit from more context, cite it. If it’s a “fact” that your friend’s roommate would already know and, more than that, already know or be able to accurately construct its historical, social, theoretical context… there’s no need to cite it.

Oh, and one thing that citation is not in any way related to is copyright. It does not make it OK to copy an image if you include the image URL or other citation information. Copyright is a legal process; citation is an ethical and communication process. Neither is related to the the other even a little bit. Including citation information is a good thing to do, but it does not eliminate or even reduce the need to weigh Fair Use or get permission. I mention this because this was the single most pervasive urban myth that we encountered when we started doing copyright training on campus.

So why do I hate plagiarism? Because I think those of us who work with undergraduates have adopted it as the boogie man of scholarly communication and then generalized it to domains where it doesn’t belong. In the process, it’s become unhelpful to students. Using punishment-avoidance rather than scholarly communication as the sole impetus for citation has actually made the process of deciding when to cite harder rather than easier. Even more importantly, it has shut them off from some of the joys and richness of using citations in their own research. As one of my colleagues likes to tell her students, “The literature in each field indexes itself” via it’s citations. But if students skip over reading these citations, perceiving them simply as legalistic mechanisms that the authors are using to cover their behinds, they miss out on uncovering new pieces of context surrounding their topics.

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Becoming a Music Librarian, Part 2

Tomorrow I teach my first real music research class, so I’ve spent the last couple of days putting together what I’ve affectionately termed the Longest Research Guide Ever (link will be live until Dec. 2007, after which time you can contact me if, for some strange reason, you really want to see this monstrous thing). On the one hand, I’m really proud of this guide. It represents the sum total of what I know about finding sources for music research (except that it doesn’t list a couple of important bibliographic databases… Sad that this would be the sum total, but there you have it. After all, I only learned this stuff myself 10 days ago…). On the other hand, it also represents all that I try to avoid in a course research guide, and so I feel kind of guilty even showing it to my students tomorrow.

Here’s what I don’t like about the guide: it’s long. It’s a long block of text. There’s nothing to lessen the unrelenting, overwhelming length of the thing. I’ve tried to mitigate this by including a sort of table of contents at the beginning, blockish indents, and bulleted lists. But still, the thing is just plain long, and the whole point of a course research guide as opposed to a subject research guide is that it’s supposed to be neatly tailored to the needs of a specific course or even a specific assignment. … This is no neatly tailored piece of writing; it’s a dissertation on how to find specific content in the library.

But this particular course guide is long for three very good reasons.

  • First and probably most important, I’m not yet familiar enough with the subject, its research methods, or the students in that department to know what kind of detail is appropriate or helpful. When this happens, my nature is to write lots and then cut back later. This may not be the best method of attack, but it’s the only way I can wrap my head around the subject myself. So really, this is the guide that I need rather than the guide my students need.
  • Second, the teacher wanted the students to be able to “see the possibilities” that exist for music research (including access editions, manuscripts, (auto)biography, recordings, reviews, criticism, etc.). For their final oral presentation, the students will then be asked to take a piece of music and demonstrate to the class the kinds of artifacts that could be used to learn more about that piece.
  • Which leads to the third reason: the only commonality between the possible student topics will be that they’re pieces composed for piano, and there are a lot of pieces composed for piano… quite a lot. So I felt I had to somehow cover all the bases that would be possible for any piece, any composer.

Whether this ends up being a success or not, I hope that at the very least the students learn as much by using the guide as I learned to create it. I also anticipate stealing most of the content from this thing to work into the research guide for the whole department, and probably 4 or 5 littler handouts for the music faculty.

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