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Category: Teaching and Learning

Communities of Inquiry

I spent the last two afternoons in a workshop for professors who are thinking of teaching Carleton’s new first year seminars next year, so I’m now well steeped in thoughts about first year students. And the more I think about it, the more I think that my main goal for first year students is for them to understand the far-reaching impact and usefulness of understanding the concept of communities of inquiry.

Say What?
This is a stuffed cow. (Photo by Catherine Woolley)

Think about it. If you know who you’re talking with in this vast thing we call “scholarly communication,” it helps you make appropriate choices about everything from topic to citation style to rhetorical style. It reinforces the idea that you’re contributing something to a conversation rather than just parroting back a set of facts. It allows you to evaluate sources and arguments (none of which are inherently “good” or “bad” regardless of context). It helps you know which words are meaningful and therefore ripe for use as search terms. And perhaps most important, it helps you decide what you’ll need to back up with evidence in the first place. After all, only the things that count as odd or new or controversial within your community need explicit backing up, and these things can change radically from community to community. The omnipresent pieces of your community’s world rarely need explanation.

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What is Information Literacy Anyway?

Tomorrow I’m supposed to stand up in front of a group of faculty, all of whom are considering teaching one of the college’s new curriculum-wide freshman seminars next year, all of which must include some explicit practice developing information literacy. My task: explain information literacy to them in 10 easy minutes so that they can start thinking of ways to build it into their syllabi.

I wish I knew what information literacy is.

My co-workers have heard me say that I’m particularly confused by two things about information literacy: “information” and “literacy.” “Information” can refer to everything from color and smell to poetry to data to formal research articles. And while all of these things could be included in the definition of “information literacy,” for the most part we mean something more specific than that, something more like “facts or approaches or primary sources or secondary sources.” I know, I know, there are exceptions to that. But really, we don’t mean “the amount of the data after data compression” (Shu-Kun), or many of the other meanings proposed by Wikipedians. And “literacy” feels like a remedial skill to me, whereas I tend to think of sophistication in this area as a combination of concrete skills and an omnipresent habit of mind, both of which are useful in and out of the classroom and research contexts.

But this doesn’t really help me with my presentation, so I looked back at a couple of the position documents my department has produced in the last couple of years: Information Literacy in the Liberal Arts and the List of 6 and more. Then my co-workers and I plagiarized the second one, tweaked it a little, and came up with a list of questions that would be useful for first year students. This we developed into a handout for the presentation: Finding, Evaluating, and Ethically Using Information.

For my purposes tomorrow, these questions sketch out the habit of mind that information literate people exhibit. They don’t cover “knowing you need information,” and they don’t cover concrete search skills or strategies, but they are a start.

[edit: I should have linked to Steve’s post and didn’t, so here are his thoughts on the topic.]

Shu-Kun Lin (2008). ‘Gibbs Paradox and the Concepts of Information, Symmetry, Similarity and Their Relationship’, Entropy, 10 (1), 1-5. Available online at Entropy journal website.

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The World Between the Lines

All's Well That Ends Well - National Theatre
All's Well That Ends Well - National Theatre

A few friends and I have started a Shakespeare Project. We want to read Shakespeare’s plays, starting with the ones we’re least familiar with and moving up to the biggies we all remember from college, taking about two weeks to read each one. (This is kind of a repeat of a project my family undertook when I was in high school. We’d all read a play a week and then sit down on Sundays to watch the BBC versions of the plays. It was a project I mostly resented at the time, but now really want to do.) So every morning I get up, make hot chocolate while feeding the cat, and then spend half an hour or 45 minutes reading a few scenes of Shakespeare. When the cat finishes his breakfast, he jumps up to sit quietly with his front paws planted as near to the left-hand edge of my Complete Works of Shakespeare as possible so that I can run my fingers along his head and shoulders while I read and sip hot chocolate. Pretty idyllic.

Anyway, I was reading All’s Well That Ends Well, which I had just seen beautifully performed by the National Theatre about 10 days ago, and I suddenly realized that there had been whole little scenes of action in the production that simply don’t show up in the dialog on the page. The actors and directors had taken the time to wonder why some of those off-hand lines were there, and to build that world into their production. Left to my own devices, novice that I am, I’m incapable of seeing the world that exists between the lines of dialog on the page, but that world is so much richer and more fascinating than the pure dialog admits.

As I taught a couple classes of freshmen this week and tried to build a picture of college-level research for them, I wondered yet again how to bridge the gap between expert and novice. I see conversations where they see bits of data. I see interconnections between vocabulary and lines of arguement where they see result list after result list that doesn’t contain “sources on my topic” (by which they mean “sources that say what I’m about to argue”). How do I first describe the world between the lines for them, and then help them develop the capacity to imagine it for themselves?

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Turning Topics Into Searches

The last couple of mornings I’ve spent time with a couple of different freshman writing seminars getting them ready to tackle the research component of their classes. Both times I tried a technique that I’d done once last year when I co-taught with a colleague of mine. It’s kind of like concept mapping… but with an eye toward building searches.

Here’s how it works:

  1. Talk about how writing a research paper is like participating in a conversation.
    When you enter a conversation at a party, you need to know a) who’s talking, b) what they’re talking about, and c) how they’re talking about it. Parroting back what people say is not a conversation. Actually contributing to the conversation means having a grasp of the topic and the vocabulary that is in use within that conversation. Relevant vocabulary is also important because search is basically vocabulary matching.
  2. Write a “topic” up on the board.
    This should not be a beautifully narrowed topic, both because that makes the exercise harder and because that’s not actually reaching students where they are. In both cases, for me, the students were at the “I want to do something about globalization and agriculture” stage. Yesterday I got a student volunteer to write his topic on the board. Today’s class was a little more structured and twice as long, so I picked a topic that I knew would serve as a robust enough foundation for all the components of the class.
  3. Invite students to come up and write the answers to two questions: “Who might have studied this topic?” and “What questions might they have asked of the topic?”
    So, for example, if the topic is “organic food” students might write “EPA,” or “Behavioral economists,” or “farmers,” or “doctors,” or “sociologists” (these are examples from this morning’s exercise). Some questions included “is organic food more nutritious than conventionally grown food?” and “what motivates people to buy organic food?”
  4. Talk as a group about what terms might crop up in the articles by the different groups, building searches as you go.
    Basically, that black board full of groups and questions serves as the basis for the rest of the class. Searching Google? Show how to limit to .gov sources to hit those EPA people. Searching Academic Search Premier? Talk about differences in disciplinary language and collect subject headings that match the topic at hand. Having trouble with students still typing “effect of pesticides on the production of corn” into search boxes? The blackboard helps you remind students to step outside of their own phrasing of the topic and choose meaningful terms that would have appeared in, for example, a report from the USDA. STILL having trouble? Do it again. And again. And little by little it sinks in.

An added benefit of this technique is that it gets the whole class up and moving near the beginning. I can’t tell you how much this changes the atmosphere of a morning class full of sceptical freshmen. I don’t know why it helps, but I’ll go with it.

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