Some 100-level information literacy concepts in lesson plan form

Several people have asked for examples of my lesson plans lately, which is both flattering and terrifying. Flattering for all the obvious reasons, and terrifying because I can always see the flaws in my lessons when I write them out to share, and terrifying because my “lesson plans” are the barest sketches of outlines regardless of how many hours I’ve put into preparation, tailoring the class to the specific assignment at hand and trying to match the course professors’ ultimate learning goals as much as possible. When I get into the classroom with 2 or 3 learning goals firmly in mind, an interactive exercise or two up my sleeve, and notes about readings the students have been or will be doing and how to mesh those with my own session, the actually class is more like jazz — playing off of the outline and goals but also off of the students and the course professor.

So lesson plans are kind of hard for me to write down in a way that feels authentic. Still, with all that as preamble, it occurs to me that even sketches can help people looking for ideas. I’ve benefited greatly from colleagues sharing their sketches with me. So here goes. (I’ve chosen to focus on 100-level classes because the people asked me about those specifically.)

First, there are several modules that I’ve already written about here in more or less detail. While they shift with the given context, I love to work them in whenever relevant, and I think they help 100-level students begin to get some practice with the kind of critical information literacy that my colleagues and I wrote about in our recent article CSI(L) Carleton: Forensic Librarians and Reflective Practices. Other similar modules are linked to in the lessons plans I’ve sketched out later in the post.

  • The value of book reviews
    I started toying with this before the Information Literacy in Student Writing really got going, but I’ve continued to use book reviews as valuable sources since and worked it in whenever I can because of  the useful habits of mind it helps develop.
  • Citation as a lens for interdisciplinarity
    This one really is a fleshed out lesson plan (which takes about 20 minutes) and the main points of which I’ve used over and over again in many courses with great success.
  • Turning topics into searches
    Builds off of the idea of concept mapping in ways that then generate source decisions and search terms in very practical ways. This takes about 15 minutes and it helps if you have some seeds to start with that you can lay out on the board as the students are working.

Most classes need to get at some combination of conceptual and practical learning goals, so here are two very different sessions that I’ve given recently. I chose the first NOT because it’s one of my crowning achievements. It’s anything but that and I’d love to hear ideas for streamlining it. But it does show the combination of practical and conceptual, and it’s a multi-cultural topic (which matches the needs of at least one of the people who asked for a lesson plan example). In terms of the match with the concepts we wrote about in the “CSI(L) Carleton” article, this class teach concrete search skills but emphasize the context-building nature of scholarship, the importance of watching for the breadcrumbs scholars leave for you in their writing to tell you what they’re drawing on, what related concepts are important, and the purpose of using sources in the first place.

The second is one of the sessions I did for a course that has no formal research component, building off of what I learned from the “Evaluation” section of the “CSi(L) Carleton” article. You’ll notice it looks a lot like a class for a research paper. The main difference is in the framing — emphasizing that this kind of looking and the habits involved are useful for all kinds of work.

CCST 100: Growing Up Cross Culturally (had to be taught in a room with no student computers)

Assignment: Write a paper based on one of the cross-cultural studies topics they’ve talked about in class (which follow the life-stages and study how cultures influencing each other can change the way people experience those life stages, such as birth, childhood, adolescence, marriage, adulthood, old age, and death). Find a few sources (3-5-ish) outside of course readings to support your arguments. Students are encouraged to take inspiration from recent international news/culture stories.

Resources: Research GuideNew York Times article on Japanese tooth un-straightening, and a Term Diary

Introduction (10 minutes)

  • Why only a few sources?
    The purpose of your sources is not to provide an exhaustive list of everything written on your topic. It’s also not to allow you to write a report. Instead, you’re writing your own paper, and you’re using a few outside voices to help you situated your ideas within the “conversation” that’s already happening on a topic. Conversations don’t work well if you parrot back what everyone says, but they also don’t work well if you just go on in a monologue and make everyone sit back and listen. Conversations work well when you build on what people have said and contribute new ideas or perspectives.
  • What constitutes “on my topic”?
    We often look for things that are “on our topics” but sometimes it’s more interesting (or necessary, if the topic is too new) to look for related topics or analogous topics and talk about how they support or contribute to your understanding of your topic. THIS IS OK. Scholars do it all the time and for this assignment it’s almost a given that you’ll have to do the same. Give some examples. (First year students often don’t realize this is allowed.)

Brainstorming Exercise (working in small groups – 20 minutes)

  • Term economy (see this blog post)
    Computers can’t read. They match letters in a row. Consequently, we have to figure out what letters in a row to feed into the computer to make it spit out the results we want. This is why we’ll be using a term diary to record keywords and phrases as we go along today, and then using those to help us come up with new searches.

In small groups, read the New York Times article on the new fad where Japanese women make their teeth crooked. Answer the following questions and report back. We’ll use these concepts and terms for our searches in the rest of the session.

  1. What concepts is this related to? (symmetry, beauty, youth culture, individualism, etc)
  2. Who might have written more about this or related concepts?
  3. What questions might they have asked of these topics?
  4. Where might these things have been published? (blogs, newspapers, academic articles, books, etc)
  5. What are some key terms associated with these topics?

Wikipedia with a glance at Goolge (5 minutes)

  • Basic searches using key terms already generated. These will inevitably reveal a wikipedia article. Mention that this is wonderful. Watch students faint in surprise…
  • discussion: You’ve heard that wikipedia isn’t good to use — why is that? What might it be good for? (use as a jumping-off place like any other reference work, good for term gathering and to point you toward related concepts and further reading — bibliographies are wonderful things)
  • term gathering and source gathering as we jump around and follow links through Wikipedia together with students leading as much as possible– add to our growing list of terms in our term diaries (In this year’s class, we stumbled on the term “wabi-sabi” which is about the many things, including the aesthetic of asymmetry.)

LexisNexis, for the international coverage (10 minutes)

  • Point out that we’re searching “every word the journalists wrote” so think like a journalist when coming up with terms to try.
  • Try several searches using the terms we already found (letting students choose). Collect new terms, concepts, and potential authors/experts along the way.
  • Introduce the idea of concept clusters (i.e. boolean searching)

Academic Search Premier (10 minutes)

  • Explain the differences between free-text databases and indexing/abstracting databases — now we have to think like scholars/librarians when choosing terms to use
  • how to limit to scholarly articles
  • discussion of how scholarly articles differ from newspapers in terms of scope and topic coverage
  • student-lead searching as before, this time introducing the power of subject headings.

Books (5 minutes)

  • Books often contain much broader topics than articles, so now we have to zoom out and look at broader topics that might give us good foundations for our topic.
  • student-lead searching as before, pointing out the importance and power of subject headings.
  • Point out call numbers — remind students that they can ask for help, especially the first few times they use call numbers to locate books
Wrap-up
  • There is no one perfect search — try combinations of terms and write down new terms/concepts as you come across them
  • Librarians can help you, so come talk to us about your specific topics.
Some things I’ll change next time:
  • TOO MUCH STUFF — The constraints of space and the breadth of the assignment were working against us, but really it was too many things. Next time I will almost certainly cut out the books section. I just don’t know yet what to do about the rest, but this is probably double what it should have been.
  • Emphasize the brainstorming/problem-solving part of when searches fail — The students didn’t seem to understand well enough why we weren’t concerned with failed searches so next time we need to build failed searches more explicitly into the expectations.

ENGL 100: Visions of the Waste Land

Context: This course had no research component. It was important to the professor that students learn to read closely and delve into the primary source text. However, the professor and I both realized that it can be hard to find interesting things in texts if you lack the context to know what’s interesting when you see it. So we devised this context-building session and assignment to help students know how to build up their own knowledge to the point where they can accomplish the kind of careful reading the professor wanted.

Assignment: Select an article that is illuminating, write a 200-word summary to be handed in, be prepared to lead the class in a discussion of a passage in the book based on both your interpretation and the article you found.

Resources: Research Guide

Introduction (5 minutes)

  • Matching Evidence to Audience
    There are lots of kind of evidence, and in other courses you’ll be asked to find books and articles and statistics and images and who knows what else to back up your arguments. Lead a little discussion about kinds of evidence that may matter to some audiences but not others, like blogs or something your aunt said or aggregate statistics vs data.  In this course your evidence is the text itself and your audience is not interested in other kinds of evidence.
  • Context-Building
    However, all of this doesn’t mean that YOU aren’t allowed to know things other than the text. Far from it. Context-building helps you figure out what questions to ask of the text and also to see how other scholars in the field have accomplished this kind of thing so that you can model yourself a bit on their approaches.

Finding Models to inspire you and aspire to: (5 minutes)

  • Show how to search within the publication “The Explicator.”

Finding the backgrounds of words: OED (use “smashing” as an example) (5 minutes)

  • How words get into the OED
  • What’s in there (etymologies and date charts and quotes)

Scholarly articles often provide a lot of context/insight: JSTOR (20 minutes)

  • Limit to literary journals only
  • Building concept clusters
  • Brainstorm together about some concepts that might be interesting to follow up and what words might be associated with those concepts. Work together to cluster those concept (having students write on the whiteboard together)
  • Have students work in small groups to find an article and report back on why they chose the article they did (emphasizing aspects of evaluation by making them articulate a choice and discuss it together).

Following up on a citation (15 minutes)

  • Usually one of the best ways to find information because scholars index their own literature. Bibliographies are creative things build from experience and wide readings, which means you can find connections to things you wouldn’t find purely by searching.
  • Explain that book citations list a place and publisher while articles don’t, and how to follow up on book citations (catalog) vs article citations (A-Z list) – this whole thing takes about a minute.
  • Working in small groups again, use the article they found JSTOR to find a book or article that we have access to. Bonus points if you find a book citation that we have access to.
  • Go together to collect one of the found books from the stacks (have an example on hand just in case nobody found a book that’s available). Look at near-by books to talk about what kinds of context that helps them build. Mention that similar call numbers in different areas of the library (reference, periodicals, etc) will be about similar topics. Show the “Google of the book” (i.e. the index) of a book.

Wrap-up (10 minutes)

  • Group discussion about how what we’ve found today applies to what they’re reading. Any words or themes that seem more important now?

CSI(L) Carleton: Forensic Librarians and Reflective Practices

“Wait, this is information literacy?” a rhetorician at our workshop exclaimed in excited surprise. “But this is so cool!” And we wanted to respond “YES!” not only from joyful pride but also out of recognition. After all, we too had had very similar reactions to our own work with information literacy, and not that long ago. We too had realized that information literacy could be different than we had originally thought (or that the ACRL information literacy standards had led us to believe). Information literacy could be more alive and integrated within the discourse of academic work. It could be more applicable across disciplines and genres and rhetorical goals. And these revelations remapped our practice.

So begins the essay my colleagues Danya Leebaw, Heather Tompkins and I wrote for In the Library with the Lead Pipe that was published last night. It focuses on how our Information Literacy in Student Writing project has helped us learn more about information literacy and how that has influenced our teaching and our work with faculty and departments.

Coming to blows over books

When I walked into the classroom today, several of the students were already there exploring the second edition of Jane Eyre that our special collections librarian had brought up for them. This had really no relation at all to what I’d be working on, specifically, except that we were talking about context-building at a college level, and the second edition of Jane Eyre certainly adds a little to their context for the work.

What I hadn’t expected was that the professor had to tear the students away from a spontaneous but very heated debate over the importance of the book as a physical thing vs an intangible narrative. Does it actually matter if you hold a book in your hands? Is there something about that experience that matters? Or is it simply a waste of resources and space to go about printing mass quantities of things that could exist as bytes instead?

The most vehement ebook advocate raged against “self-righteous book smellers” while the greatest advocate for printed books talked about how it was important to be able to capture pieces of history not just in the text of the novel itself but in construction and display as well. At one point I threw a wrench into the “it’s economically unconscionable to ship printed material around” argument by telling them the 2 second version of ebook lending woes in libraries and the digital divide (I couldn’t resist). At another point the professor and I had to step in when things got heated to the point of ad hominem attacks. It’s pretty safe to say that I haven’t been involved in another class where the students were passionate almost to the point of blows.

What was the resolution? We decided that it’s complicated, that neither side is categorically right, but that self-righteousness doesn’t get anyone very far.

Pretty interesting for a totally peripheral 10-minute piece of a library session.

(My next favorite part of the class was the audible gasp when I said “Well, if I were getting started on this assignment [on the Great Gatsby and the Jazz Age] I’d probably start with Wikipedia.” Bwa-ha-ha-ha)

Philosophy of librarianship: sketch of a draft

Some people were talking about their philosophies of librarianship recently. I’ve never had to write one up formally (and I hope I never have to). But some points I might include keep floating through my head in vague but important-feeling ways.

Librarianship is collaborative by nature. Nothing we have or do makes any sense at all unless it’s connected with our community’s needs (however “community” is defined). The more separate and distinct it is, the less vitality it has. In my world, all of this means that my work matters to the degree that I work with faculty, students, staff, and my library colleagues, and the degree to which they work with me.

I specialize a little bit, but I think there’s great strength in specializing in general research support. On a college campus, it can be hard to make a case for that kind of strength, but often when I feel I’m contributing most to the mission of the college it’s when I’m speaking from the position of generalist. I see students from all over the curriculum every day. That’s a different kind of knowledge of the campus.

Librarianship has to balance access and preservation. I want as much of each as possible, but sometimes they don’t get along very well in the real world of budgets and finite space and license agreements.

Librarians teach. Some are hired particularly for this purpose, so they spend a lot of time working at honing those skills and building up teacher expertise, but everyone teaches to some degree or another, directly or indirectly, in whatever capacity they serve in the library.

Librarians are kind of the Keepers of the Light of Information Literacy. And yet, ideally Information Literacy happens outside of librarianship. What’s better than me being good at this stuff? My students and colleagues being good at this stuff while doing work that matters to them, that’s what. So it behooves me to work creatively with people to see how close to that ideal we can come as a community.

So that’s a start. Now if I could just get the vague but important-feeling ideas about my philosophy of information literacy to coalesce a bit more… but that will have to wait for another time.

You have caught the tenor of the argument

You come late. When you arrive, others have long preceded you, and they are engaged in a heated discussion, a discussion too heated for them to pause and tell you exactly what it is about. …  You listen for a while, until you decide that you have caught the tenor of the argument; then you put in your oar. Someone answers; you answer him; another comes to your defense; another aligns himself against you, to either the embarrassment or gratification of your opponent, depending upon the quality of your ally’s assistance. However, the discussion is interminable. The hour grows late, you must depart. And you do depart, with the discussion still vigorously in progress. (Burke 110-11)

This is Kenneth Burke’s analogy for academic writing, my own version of which I use in most of my classes. Composition instructors like the authors of They Say / I Say focus on the phrase “then you put in your oar” as the turning point (13-14). For me and my profession, the key phrase is “you have caught the tenor of the argument.” Embedded there I see so much about information literacy — what people are talking about, what positions have been covered already, what evidence counts as good evidence in this conversation, what terms will this group use and understand when talking about the topic, whom will you need to acknowledge as you lay out your position… You have caught the tenor of the argument.

Another thing I love about this conversational analogy is that the protagonist is never quite done listening to others and incorporating their ideas into new statements. The research process is not linear.

(Er, I’ve finished the prefaces and introduction to this book now. I promise not to write a blog post for every 5 pages of reading. Really.)

Burke, Kenneth. The Philosophy of Literary Form. Berkeley: University of California Press, 1941

Graff, Gerald, and Cathy Birkenstein. “They Say / I Say”: The Moves That Matter in Academic Writing. Second Edition. W. W. Norton & Company, 2009.